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In fact, right now there is a trend of imposing our political agenda on the audience through cinema and everyone is trying to share this trend in their own way. But in all this, ‘Dharmaveer’ is very different. Because he goes beyond partisan propaganda, spreads the word, and tries his best to live up to the expectations of the cinema after the ticket is issued.
I will give the biggest credit for this to Prasad Okla. Because the manner in which he has played the role of Dharmaveer Anand Dighe is maximum. We have seen Prasad in many roles till date. But this will probably be his first job where he doesn’t look like a prasad at all. We look at him only as a source of happiness. Although Vidyadhar Bhatt’s make-up is the best behind it, the hard work done by Prasad can be seen hundreds of times. Luke and other things affect the first few minutes. After that it speaks only of your performance. And this is the performance of Prasad Oak.
In fact, the scope of this subject is very wide. Hard work to catch him in 2-3 hours space. Praveen Tarde wrapped the script in such a way that this challenge should be very easy. I mean, you know Praveen’s basic pattern. He has used the same pattern here. The pattern is to start in the present and tell the story of the congregations we met on that journey. The same pattern has been extremely successful in the case of Dharmaveer.
In terms of acting, everyone who appears in small roles has literally worked hard. Kshitish Date in the roles of Vijay Nikam, Snehal Tarde, Vighnesh Joshi, Abhijeet Khandkekar, Makrand Padhye, Shubhangi Latkar, Devendra Gaikwad, Ramesh Pardeshi and of course Eknath Shinde. All this takes the cinema to a different height.
‘Dharmaveer’ is right on the fronts of photography, compilation, music too. In all these positive aspects, there are some negative aspects. What strikes the most are the dialogues deliberately planted at many places for applause. It seems that these dialogues were planned to please the general workers rather than the audience. And in the situations, in the scenes where such dialogues occur, the ease of it is lost. Even the actors seem difficult and at times we get away from things. Had this thing been avoided, the height of the movie would have increased.
To give an example of this movie, there is a scene in the beginning, in which thousands of people have gathered to see Dighe’s memorial. This crowd is of common people. And in the same crowd are some characters from our movies. As the camera captures all these faces, the make-up faces are quickly identified in a crowd of real ones and that’s what strikes. This is also the case in the overall journey of the cinema. While presenting the real story, wherever the movie leans towards ‘politics’, it is noticeable. And this should be avoided.
Apart from these few things, Dharmaveer gives us a great experience as a movie. It has drama, action, emotion in short ‘Dharmaveer’ is a money making ‘cinema’.
When you come out after the movie, you don’t remember Shiv Sena, you don’t remember politics, you don’t remember any party. All that remains is the charisma of Dharamveer Anand Dighe… who will no doubt accompany you for a long time.
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