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son of satyamurthy movie story review and update?
The narrative of the film is something that we as a whole would have speculated at this point, it is about a child Viraaj Anand (Allu Arjun) doing whatever is expected to get the obligation free from his dad Satyamurthy and reestablish pride to his name through his qualities.
Allu Arjun is improving from film by film and with this film we can see further simplicity in his general activity. There was a touch of firmness in certain parts where he acted a specific way however he got better as he advanced. In close to home scenes he is okay and there is a great deal of extension to improve without a doubt. Presently if by some stroke of good luck he had some control over his ‘upscale’ bits, it would add a great deal to his screen presence. Moves are for the most part relaxed and nothing uncommon here. He has attempted an alternate sort of regulation in conveying a discourse anyway one doesn’t know whether it would click like ‘Daevuda’ from his past film. This frequently bothers and nullifies with the great work done in any case.
Trivikram Srinivas naturally has all the earmarks of being the point of failure and its greater part is because of the standing that he has made. Trivikram has been losing his composing contact and it has been obvious in his last couple of movies too however here he plunges to a new low in that area. The genuine executioner blow however is the course which one idea he had immensely further developed graciousness his past film yet he is starting over with Child of Satyamurthy.
Excepting the principal lead character he has not had the option to remove persuading exhibitions from the remainder of the cast. It is a significant frustration considering the colossal ability pool he had on offer. The greater part of the screenplay looked invented and the powerless composing additionally beat the impact. The ‘Viluvale Asthi’ message was great and feels opportune in the ongoing days however the manner in which he has prompted that acknowledgment through the screenplay makes one agitated while perhaps not really wince. It’s as yet fun in a crude kind of manner with low recurrent worth however that isn’t the thing one would anticipate from an essayist of the type of Trivikram. They could feel significantly better assuming one overlooks the shocking past stuff from the essayist yet one can’t fix the past and the assumptions that emerge of it, can they?
Samantha is commonplace stupid airhead that we see as champion in Trivikram films. There isn’t anything in that frame of mind for her presentation wise and, surprisingly, the tomfoolery act feels dull. The film bragged a strong cast as far as character entertainers with presence of individuals like Upendra, Rajendra Prasad, Sneha and Nithya Menen. Also, this is at last the greatest frustration from the film and from the chief. He has not had the option to draw one critical person from this gathering cast. The way that none among them stay with us after the finish of screening ought to be sufficient to discuss their effect. It’s something similar with comics Ali and Brahmanandam. Adah Sharma, Rao Ramesh and MS Narayana have a place with a fragment which seemed to be filler for genuine story yet in the end one feels that they have better influence out of the relative multitude of entertainers present. Is really disappointing that they all beginning with a commitment like the Rajendra Prasad character for instance.
Music by Devi Sri Prasad was totally normal. Indeed, even the foundation score goes on comparable example. Altering is hodgepodge as the portrayal might have been considerably more tight with better work in this division. Cinematography is great as is movement for several tunes
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