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One after another, members of the police force are killed mysteriously. In Undercover, the police drop a team to investigate. Led by Bhagat Basil, the team travels to the origins of the murdered men. The film unfolds as to who are the murdered persons, who is the mastermind of the murderers and what is his purpose. This ‘Vikram’ has entered the field with some experimental attempts like reference of previous movies, lead for the next part, building a universe in Tamil cinema.
After the 1986 release Vikram, Kamal’s new ‘Vikram’ is playing the same character. Although he is an age-appropriate character, he is very active on the ground. It’s been a long time since Kamal got to the point where emotional scenes and fake satires are nothing to do anymore. Even so, he has stirred up the dust. As it is Kamal’s film that will hit the screens after almost three years, Lokesh has carefully scripted the mass moment scenes for the second half. Although Kamal has few scenes in the first half, he makes up for it with a treat in the second half.
Vijay Sethupathi as mafia don Chandanam. Gold teeth, drugs, weird hair style, underplay is a lot of menace. But, it passes as an attempt without much appeal. Bhagat Basil as an honest officer. A man who smiles and folds his fingers and cracks the necessary answers. The first half is entirely Bhagat’s kingdom. He carries the entire weight of the first half of the film as an assault. Semban Vinod, Aruldas, Gayatri, Naren, Kalidas Jayaram, Santhanabharathi and the crew of ‘Kaithi’ have acted in the film. As if this was not enough, a house full of Vijay Sethupathi’s relatives alone.
A mass cinema has emotional scenes, build up scenes, action scenes. However, Lokesh Kanagaraj has written a different story by combining the characters of his previous film in a Tamil movie and pulling in the old film ‘Vikram’ according to the title. Every time there is a reference to ‘Khaithi’, the theater erupts in applause. Suriya’s character, which has already gone viral on the internet, is also Baka Goosebumps material. They have completed the film by setting up the lead for the next part.
Krish Gangatharan’s cinematography brings the fight scenes and the night scenes to life with all the beauty. Anirudh’s background music is a great strength of the film. Although the song ‘Bathala Bhatala’ is a commercial pickle, Anirudh has turned the other songs into mere montages and played them as background music wherever necessary. He has even threatened to keep the ‘Access here for mass films’ board up permanently.
Although the film has a lot of theatrical visuals, in the first half, director Lokesh Kanagaraj has used the first gear to move into the main story. As a director, the film unfolds as if he has shown the film he wanted to make without any compromise without cutting a single scene. This is why the staging of the first half has taken a lot of time. That’s why we have to wait till the end of the first half and say ‘patience is pride’. A few logic problems also peek out here and there.
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